Lonely Seal is the rare festival that doesn’t merely give lip service to cultivating scripts about/by/for the disempowered. Its ethos — namely “stories aching to be told,” and its founder’s genuine affinity for underdogs — makes Hammad Zaidi’s international film festival uniquely important.
Thus you can imagine I was tremendously humbled that Lonely Seal crowned my “Serenade of the Vulture” script (about a homeless Asian woman battling a tech billionaire) as “Best Overall Feature Screenplay” and “Best Dramatic Feature Screenplay.” Winning any competition validates a screenwriter’s hard work, but Lonely Seal’s mission statement resonates emotionally with my fascination with provocative tales of social injustice.
Our great nation has a long, troubled history of disrespecting people’s otherness… whether it’s race, religion, immigrants, physical ability, orientation, culture or poverty. I thank Lonely Seal for raising awareness of ALL films and scripts that amplify America’s forgotten voices. Thus it’s no coincidence that its categories include “Best Indigenous Film” and “Best Film Focused on Disabilities.”
I’m not the first screenwriter to delve into class warfare, income disparity, and cultural inequity, and I won’t be the last. That’s why a contest like Lonely Seal is so vital… it shines a light on the human condition of today’s era. And isn’t that the very definition of great art?
Joseph Dionisio – Writer – Serenade of the Vulture.